Tuesday 18 February 2014

Another Gold for Belarus in Aerials at Olympics - ABC News

This was a high five Anton Kushnir will never forget.

Five spins into the frosty night air followed by a near-perfect landing gave Kushnir the gold medal Monday and wrapped up a sweep of aerials gold at the Sochi Olympics for Belarus.

He won it three nights after Alla Tsuper, who recently moved to Belarus from Ukraine, took the women's gold.

"We managed to repeat the success," Kushnir said. "I don't know actually how this happened but I got the gold medal."

Kushnir won with the biggest trick going in the game right now — the "back double full-full-double full," which is five twists packed into three head-over-heels flips while he soars 50 feet (15 meters) off the ramp.

He earned a score of 134.5 for the trick to beat David Morris of Australia by more than 24 points.

A pair of Chinese jumpers, Qi Guangpu and Jia Zongyang, had a chance to better those scores but both fell on the landings of their five-twist jumps.

Jia wound up with the bronze but this was another disappointment for the country that regularly brings a handful of top-10 athletes into the Olympics, yet has walked away only with a pair of bronze medals since Han Xiaopeng took gold in 2006.

"It was quite sad that we didn't get more medals than we actually did," Jia said. "Probably we could have done better. We lost some good opportunities."

Qi finished fourth, Wu Chao came in 11th and the world's top-ranked jumper coming into the Games, Liu Zhongqing, fell on both his qualifying jumps and finished last among the 21 skiers.

Belarus, meanwhile, keeps on finishing first.

This is the second straight men's gold for the country. In 2010, Alexei Grishin won the title and got his picture on a postage stamp back home. On Monday, he didn't make it through qualifying. Maybe Kushnir will replace him on the stamp.

"I'd be happy if that happens," he said. "I'd never thought about that."

Though the Olympics have been won with five twists before — Ales Valenta back in 2002 — it was the late Jeret "Speedy" Peterson who set the bar with his "Hurricane" trick — a more difficult five-twister, in which three of the twists come during the middle flip.

He won silver with that in 2010. That, combined with a new competition format in which the skiers need to keep increasing their level over four or five jumps in one night, inspired more skiers to double down on versions of their own five-twisters for this Olympic cycle.

Kushnir said he'd landed one at a World Cup contest in 2009, but not since.

He finished 15th at the 2010 Olympics and the past four years have been a series of injuries and false starts.

He got healthy in time for Sochi, and had the trick in the bag if he needed it.

"To be honest, we've been preparing this jump for quite a long time," he said.

The only man of the four finalists who didn't try five spins was Morris, who executed his four-spin jump cleanly and sat on the side watching his score of 110.41 hold up for silver.

Quite a victory for men's aerials in a country that focuses on the women in this sport. Lydia Lassila took bronze Friday for Australia's fourth Olympic aerials medal since 2002.

"I'm the only guy doing it in the country. I'm the men's team," Morris said. "But hopefully, people will come up and say, 'Hey I want to do that. It looks stupid.'"

The sport has a bigger following in Belarus and Kushnir is the new top man.

He knew something good had happened as soon as he landed. He delivered an uppercut to the air and covered his mouth with his hands. At the top of the hill, his coach picked up snow and flung it into the air.

Including Darya Domracheva's biathlon win Monday, Belarus now has five gold medals at the Sochi Games, lifting the country with a population of around 9.5 million into a share of second spot in the gold medal standings, behind only Germany.

"It was the best jump I've ever witnessed in person," said 18-year-old American Mac Bohonnon, whose Olympic debut ended with a heartening fifth-place finish. "To see Anton go out and do it that well is special."

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Tonya Harding and Nancy Kerrigan Feud Renewed During Sochi Olympics - Guardian Liberty Voice

tonya harding

The Sochi Winter Olympics’ Ladies Figure Skating is due on February 19, but the day marks more than the Short Program; this time 20 years ago, during the 1994 Winter Olympic Games in Lillehammer, Norway, the United States’ top skaters, Tonya Harding and Nancy Kerrigan started a never-ending feud which has now been renewed in dueling documentaries courtesy of ESPN and NBC, which will air during Sochi Olympics. Harding’s questionable involvement in the attack over Kerrigan marked the future of both professionals.

For 20 years, there have been two sides of the Harding- Kerrigan story, but the feud has been renewed in dueling documentaries that show unseen faces of the top skaters, one of which will air during the Sochi Olympics: NBC bets on the victim of the attack, who has gracefully been avoiding the media for two decades, and ESPN‘s version of Tonya Harding, The People’s Skater for those who believed she did not plan the attack on the Silver Gold winner.

Fast-forward 20 years, Nancy Kerrigan, the skater who was clubbed on the right knee before 1994′s Winter Games is now a figure skating analyst for NBC during this year’s Games in Sochi, while Tonya Harding still pays for her presumable involvement in the former’s attack, although she repeatedly stated that she does not care whether America still has something against her. The infamous tomboy skater may have been kicked out of skating, but her “30 for 30: The Price of Gold” image painted by director Nanette Burtein and brought by ESPN, countered by NBC’s emphasis on her rival which is due to air during the Sochi Olympics is a clear hint that the feud between Tonya Harding and Nancy Kerrigan has been renewed in dueling documentaries.

ESPN Revisits the Unsolved Case

In “30 for 30: The Price of Gold,” Harding continues to maintain her position and utters that she had no idea that her husband Jeff Gillooly and the men who helped him plot the attack on Kerrigan wanted to boost his wife’s chances at winning the gold medal by eliminating her competition.

Director Nanette Burstein focused her attention on Tonya Harding’s hard life and the way she was treated during her years as a professional skater. The “little barracuda,” as she was once called by her former coach Dody Teachman was “the ugly ducking” of skating, while Kerrigan was dubbed “America’s next Ice Queen.”

Harding was and remains a colorful character in the delicate world of skating who didn’t have money for costumes and whose mother was not the loving, calm natured-type. In contrast with the hard-working skater, Kerrigan was dressed pro-bono by Vera Wang and she already had a handful of endorsements prior to the Olympics.

“She’s a princess,” Tonya Harding said referring to Nancy Kerrigan. “I’m a piece of crap.”

NBC Bets on Kerrigan

Nancy Kerrigan, the victim of the attack remained quiet for 20 years, allowing a mouthy Harding to tell her version of story, but the feud could be renewed in dueling documentaries once NBC airs the feature narrated by sportscaster Mary Carillo during the 2014 Winter Olympics in Sochi.

Although the documentary includes interviews with both skaters, the spotlight has been moved from Tonya Harding to Nancy Kerrigan.

“It took years to convince Nancy (Kerrigan),” Carillo said.

Carillo also mentioned that while Harding has been public for the last 20 years, Kerrigan was quiet, which determined her to convince the latter to take a stand and tell her part of the story. ultimately, Carillo and producer Margaret Grossi convinced the victim of the attack which occurred 20 years ago to cooperate.

“I trusted Mary and Margaret to really tell the story with my perspective,” Kerrigan said.

Although NBC’s feature has not been aired yet, although the release day should occur during Sochi Olympics, rumors say that the feud between Tonya Harding and Nancy Kerrigan will be renewed in dueling documentaries, each focusing on a skater and portraying undisclosed parts of the story.

By Gabriela Motroc

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Guardians of the Galaxy

Another Gold for Belarus in Aerials at Olympics - ABC News

This was a high five Anton Kushnir will never forget.

Five spins into the frosty night air followed by a near-perfect landing gave Kushnir the gold medal Monday and wrapped up a sweep of aerials gold at the Sochi Olympics for Belarus.

He won it three nights after Alla Tsuper, who recently moved to Belarus from Ukraine, took the women's gold.

"We managed to repeat the success," Kushnir said. "I don't know actually how this happened but I got the gold medal."

Kushnir won with the biggest trick going in the game right now — the "back double full-full-double full," which is five twists packed into three head-over-heels flips while he soars 50 feet (15 meters) off the ramp.

He earned a score of 134.5 for the trick to beat David Morris of Australia by more than 24 points.

A pair of Chinese jumpers, Qi Guangpu and Jia Zongyang, had a chance to better those scores but both fell on the landings of their five-twist jumps.

Jia wound up with the bronze but this was another disappointment for the country that regularly brings a handful of top-10 athletes into the Olympics, yet has walked away only with a pair of bronze medals since Han Xiaopeng took gold in 2006.

"It was quite sad that we didn't get more medals than we actually did," Jia said. "Probably we could have done better. We lost some good opportunities."

Qi finished fourth, Wu Chao came in 11th and the world's top-ranked jumper coming into the Games, Liu Zhongqing, fell on both his qualifying jumps and finished last among the 21 skiers.

Belarus, meanwhile, keeps on finishing first.

This is the second straight men's gold for the country. In 2010, Alexei Grishin won the title and got his picture on a postage stamp back home. On Monday, he didn't make it through qualifying. Maybe Kushnir will replace him on the stamp.

"I'd be happy if that happens," he said. "I'd never thought about that."

Though the Olympics have been won with five twists before — Ales Valenta back in 2002 — it was the late Jeret "Speedy" Peterson who set the bar with his "Hurricane" trick — a more difficult five-twister, in which three of the twists come during the middle flip.

He won silver with that in 2010. That, combined with a new competition format in which the skiers need to keep increasing their level over four or five jumps in one night, inspired more skiers to double down on versions of their own five-twisters for this Olympic cycle.

Kushnir said he'd landed one at a World Cup contest in 2009, but not since.

He finished 15th at the 2010 Olympics and the past four years have been a series of injuries and false starts.

He got healthy in time for Sochi, and had the trick in the bag if he needed it.

"To be honest, we've been preparing this jump for quite a long time," he said.

The only man of the four finalists who didn't try five spins was Morris, who executed his four-spin jump cleanly and sat on the side watching his score of 110.41 hold up for silver.

Quite a victory for men's aerials in a country that focuses on the women in this sport. Lydia Lassila took bronze Friday for Australia's fourth Olympic aerials medal since 2002.

"I'm the only guy doing it in the country. I'm the men's team," Morris said. "But hopefully, people will come up and say, 'Hey I want to do that. It looks stupid.'"

The sport has a bigger following in Belarus and Kushnir is the new top man.

He knew something good had happened as soon as he landed. He delivered an uppercut to the air and covered his mouth with his hands. At the top of the hill, his coach picked up snow and flung it into the air.

Including Darya Domracheva's biathlon win Monday, Belarus now has five gold medals at the Sochi Games, lifting the country with a population of around 9.5 million into a share of second spot in the gold medal standings, behind only Germany.

"It was the best jump I've ever witnessed in person," said 18-year-old American Mac Bohonnon, whose Olympic debut ended with a heartening fifth-place finish. "To see Anton go out and do it that well is special."

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Another Gold for Belarus in Aerials at Olympics - ABC News

This was a high five Anton Kushnir will never forget.

Five spins into the frosty night air followed by a near-perfect landing gave Kushnir the gold medal Monday and wrapped up a sweep of aerials gold at the Sochi Olympics for Belarus.

He won it three nights after Alla Tsuper, who recently moved to Belarus from Ukraine, took the women's gold.

"We managed to repeat the success," Kushnir said. "I don't know actually how this happened but I got the gold medal."

Kushnir won with the biggest trick going in the game right now — the "back double full-full-double full," which is five twists packed into three head-over-heels flips while he soars 50 feet (15 meters) off the ramp.

He earned a score of 134.5 for the trick to beat David Morris of Australia by more than 24 points.

A pair of Chinese jumpers, Qi Guangpu and Jia Zongyang, had a chance to better those scores but both fell on the landings of their five-twist jumps.

Jia wound up with the bronze but this was another disappointment for the country that regularly brings a handful of top-10 athletes into the Olympics, yet has walked away only with a pair of bronze medals since Han Xiaopeng took gold in 2006.

"It was quite sad that we didn't get more medals than we actually did," Jia said. "Probably we could have done better. We lost some good opportunities."

Qi finished fourth, Wu Chao came in 11th and the world's top-ranked jumper coming into the Games, Liu Zhongqing, fell on both his qualifying jumps and finished last among the 21 skiers.

Belarus, meanwhile, keeps on finishing first.

This is the second straight men's gold for the country. In 2010, Alexei Grishin won the title and got his picture on a postage stamp back home. On Monday, he didn't make it through qualifying. Maybe Kushnir will replace him on the stamp.

"I'd be happy if that happens," he said. "I'd never thought about that."

Though the Olympics have been won with five twists before — Ales Valenta back in 2002 — it was the late Jeret "Speedy" Peterson who set the bar with his "Hurricane" trick — a more difficult five-twister, in which three of the twists come during the middle flip.

He won silver with that in 2010. That, combined with a new competition format in which the skiers need to keep increasing their level over four or five jumps in one night, inspired more skiers to double down on versions of their own five-twisters for this Olympic cycle.

Kushnir said he'd landed one at a World Cup contest in 2009, but not since.

He finished 15th at the 2010 Olympics and the past four years have been a series of injuries and false starts.

He got healthy in time for Sochi, and had the trick in the bag if he needed it.

"To be honest, we've been preparing this jump for quite a long time," he said.

The only man of the four finalists who didn't try five spins was Morris, who executed his four-spin jump cleanly and sat on the side watching his score of 110.41 hold up for silver.

Quite a victory for men's aerials in a country that focuses on the women in this sport. Lydia Lassila took bronze Friday for Australia's fourth Olympic aerials medal since 2002.

"I'm the only guy doing it in the country. I'm the men's team," Morris said. "But hopefully, people will come up and say, 'Hey I want to do that. It looks stupid.'"

The sport has a bigger following in Belarus and Kushnir is the new top man.

He knew something good had happened as soon as he landed. He delivered an uppercut to the air and covered his mouth with his hands. At the top of the hill, his coach picked up snow and flung it into the air.

Including Darya Domracheva's biathlon win Monday, Belarus now has five gold medals at the Sochi Games, lifting the country with a population of around 9.5 million into a share of second spot in the gold medal standings, behind only Germany.

"It was the best jump I've ever witnessed in person," said 18-year-old American Mac Bohonnon, whose Olympic debut ended with a heartening fifth-place finish. "To see Anton go out and do it that well is special."

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'The Tonight Show Starring Jimmy Fallon' premiere review: No one is more ... - Entertainment Weekly

Everything had to go wrong for Jimmy Fallon to get The Tonight Show. NBC had to choose Leno over Letterman, and then choose Leno again over O’Brien: A pair of historic injustices, if you’re the kind of person who treats millionaire-white-dude desk-swapping like generation-defining culture-quakes. There’s a school of thinking that Letterman and O’Brien “deserved” The Tonight Show — not to mention two decades of jokes about how Leno didn’t deserve it. But deserve’s got nothing to do with it. The Tonight Show is a powerful concept — a way to talk about Hollywood or America or Comedy or Whatever Matters Now — but it’s also a straightforward piece of old-fashioned showbiz, a variety show airing five times a week on a network that needs to make money.

Letterman and O’Brien always had a perspective on the late-night franchise that was simultaneously admirable and totally weird: They seemed to buy in completely to the grand idea of The Tonight Show, but also want more than anything to stamp themselves completely onto that grand idea. As related in Bill Carter’s The War for Late Night, O’Brien could have actually kept The Tonight Show but refused to move it back to midnight. Four years later, it’s hard to tell whether that exit was a brave blow struck in the eternal battle of Individual against Machine, or a defining moment in the history of Taking Things Too Seriously.

What’s undeniable is that, in his final weeks, O’Brien created some of the finest hours in contemporary late-night history: Hilarious and bitter, whimsical and sad. He was an intense host — and still is on TBS, though his fire has been replaced either with contentment or regret. It’s clear to see now that he struggled in the early months of his Tonight Show: The move to L.A., the Jay Leno Show catastrophe, the sense that NBC maybe just thought he was too weird for 11:30. The fight with his own network gave him a mission statement. His final speech still hits you in the heart.

Fallon referenced this troubled history a couple of times in his first opening monologue: “I’m Jimmy Fallon, and I’ll be your host for now,” and thanking the previous Tonight Show hosts in puckish chronological order, ”Steve Allen, Jack Paar, Johnny Carson, Jay Leno, Conan O’Brien, and Jay Leno.” He made the same jokes that headline writers made months ago, probably because he felt like he had to.

But then he moved on. And unlike when O’Brien started, Fallon right now is all mission statement. He moved The Tonight Show back to New York City. This simple change of location gives Fallon cool cred (opening credits by Spike Lee) but also legacy cred (he can talk a lot about Carson) while also helping NBC maintain the cultural conceit that 30 Rock is the center of the world. (All of Fallon’s monologue jokes were about the Olympics, currently airing on NBC; lest we miss the synergy, he played a clip from the Today show.) In the premiere’s showstopping moment, Fallon ascended to the Top of the Rock. U2 played one of their terrible new songs, and it was wonderful: Bono doing the Jesus pose, screaming “New York” while the Empire State Building shined red-white-and-blue in the background.

Fallon is much younger than Leno and much less weird than O’Brien. Theoretically, this could lose him viewers in the long run — the young viewers stick with O’Brien and Colbert and Kimmel, the old people move on to Letterman or wait patiently for Leno or suddenly discover that cable got invented decades ago. But in this first show, you could marvel at how effectively Fallon and his team have attempted to triangulate themselves. Fallon’s new set is purposefully old-fashioned compared to the college-cafe-in-the-meatpacking-district where he lived on Late Night. But his bit about yearbook awards for Olympic athletes found time for a weed joke and a Saved by the Bell reference (“Lesbian Screech”), while mixing in rimshots about the Jonas Brothers and Justin Bieber.

You got the clear sense that Fallon just wants everyone to play together. At one point, he turned to the camera and said, “To my buddy who said I’d never host The Tonight Show: You owe me 100 bucks.” The celebrity parade that followed was a canny mix: New York icons (De Niro, Giuliani, Broadway Joe, SJP), haterade-baiting tabloid icons (Kardashian, Lohan), NBC Super-Friends (Tina Fey, Tracy Morgan), legitimate superstars (Gaga, Rogen, Mariah Carey going full-pout), all of the above (Joan Rivers, Mike Tyson), and his time-slot rival Stephen Colbert, who got the loudest laugh of the night with the line “Welcome to 11:30, bitch!” But that was right after he took a selfie. Everyone’s a friend here.

The viral bit — Fallon and first guest Will Smith doing “the evolution of hip-hop dancing” — was funny, and also a reminder that Fallon is one of the most natural physical performers to ever host a late-night show on a broadcast network. That was followed immediately by an actual interview with Will Smith — a reminder that Fallon is one of the least natural interviewers to ever host, etc., etc. Fallon is a nice guy. He’s a hugger. He gave Will Smith a hug and told him that he was great, and his family was great, and he asked Smith for advice on how to handle being great.

People always bring up Fallon’s niceness when they compare him to other late-night hosts. On one hand, it’s a survival strategy. Celebrities have so many options for connecting to non-celebrity human beings now: More shows, more social media. Fallon wants people to come on his show and play. This means that his conversations can be shockingly dry — “I gotta congratulate you on raising the nicest girl ever!” — but they also reap big rewards when the celebrities start to play along. I glazed over for both segments of Smith’s interview, but the moment he stared at the camera with an intense curling face was worth it all.

Likewise, the interview with U2 was well-nigh inscrutable — it was like everyone and yet no one was talking all at once. At one point, Fallon said: “If Bono can get up and talk, everyone knows it’s a great speech!” Grooooan. But then he asked Bono to do a speech about his coffee mug, and Bono played along:

“I can only do a speech about things I believe in… but I believe in this cup. It’s not a cup, it’s a container. It demands to be filled, by our love or bad thoughts. This cup was held in the hand of Nelson Mandela.”

Then Fallon asked U2 to perform acoustically for him. They played another one of their terrible new songs — the one that will probably win an Oscar — and it was just beautiful, and then midway through the song Bono turned to Fallon’s house band and said “Roots? Come on!” and then it was perfect.

Even though Fallon is a big fan of The Tonight Show, you get the pleasant vibe that he is unencumbered by any extraneous anxiety of influence — that he has no soul-crushing concern that he will somehow fail to live up to some higher ideal of Carsonhood. “I wanna do the best I can and take care of this show for a while,” he said modestly in his prologue. “I read jokes off a cue card. My goal is to make you laugh and put a smile on your face.”

It will be interesting to see over the months (and hopefully years) to follow how he evolves behind the desk. You hope that he can figure out how to conduct an interview without making half the questions a variation on “HOW DID YOU GET SO AWESOME?” Conversely, you wonder if he might just wind up replacing the interviews with viral-ready clips: More dance numbers, more nostalgia bait.

But it could be that Fallon would prefer altogether not to do anything too bold with the format; that he sees himself as a proud curator, both of The Tonight Show‘s history and of a happy-place performance space where Will Smith can nod along at the end of the couch to a U2 acoustic performance. He’s confident; he’s casual; he’s well-adjusted; he’s got the Roots. “This is exciting!” he said at the start of the show, before helpfully reiterating, “I couldn’t be more excited.” Time-slot rival Jimmy Kimmel is the inheritor of the Letterman tradition: Too cool for school. Fallon is the guy who thinks school is pretty cool.

Premiere Grade: B+

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Monday 17 February 2014

John Henson -- son of the iconic Jim Henson -- dies of heart attack at 48 - CNN

By Greg Botelho, CNN

updated 11:33 PM EST, Sat February 15, 2014

John Henson, son of Jim Henson, voiced "The Muppets" character Sweetums.

STORY HIGHLIGHTS

  • John Henson dies at home at the age of 48, the Jim Henson Company announces
  • He suffered a "sudden, massive heart attack," according to the company
  • John was a shareholder, board member with the Jim Henson Company
  • His father helped develop "The Muppets," "Fraggle Rock" and "Sesame Street"

(CNN) -- John Henson -- a son of the late, great children's entertainment visionary Jim Henson -- died after a "sudden, massive heart attack," his family's company said.

The Jim Henson Company announced the death of the 48-year-old son of its iconic founder in a Facebook post Saturday.

He died Friday while at home with one of his two daughters, the post said. John Henson is also survived by his wife, Gyongyi, and his siblings Lisa, Cheryl, Brian and Heather.

Two other members of his family had top jobs in their father's namesake company, with Brian Henson as chairman and Lisa Henson as CEO. John Henson is listed prominently as one of five members of "the Henson family" on the company's website.

Photos: People we lost in 2014

Photos: People we lost in 2014

Photos: People we lost in 2014

People we lost in 2014

People we lost in 2014

People we lost in 2014

People we lost in 2014

People we lost in 2014

People we lost in 2014

People we lost in 2014

People we lost in 2014

People we lost in 2014

People we lost in 2014

People we lost in 2014

People we lost in 2014

People we lost in 2014

People we lost in 2014

People we lost in 2014

People we lost in 2014

People we lost in 2014

People we lost in 2014

People we lost in 2014

HIDE CAPTION

John Henson served as a shareholder and board member of The Jim Henson Company.

According to imdb.com, John Henson was active in the family business in the 1980s, 1990s and 2000s, perhaps most notably for his portrayal of Sweetums, a large, gruff-looking, lovable character on "The Muppets."

His father, Jim, died suddenly in 1990, after a celebrated career in which he launched shows like "The Muppets," "Fraggle Rock" and created beloved characters from "Sesame Street" such as Big Bird, Elmo, the Cookie Monster and Oscar the Grouch.

Last April, John's mother, Jane Nabel Henson -- who met Jim in a puppetry class at the University of Maryland in 1954 and married him five yeas later -- died at the age of 79 after a "long battle with cancer."

Jane Henson dies of cancer

The Jim Henson Company itself remains busy with fantasy and sci-fi productions as well as children's animated series such as "Sid the Science Kid" and "Dinosaur Train."

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Why does myth of US Presidents Day persist? - Christian Science Monitor

The official name for the holiday celebrated Feb. 17, 2014, is Washington’s Birthday. Here are three theories as to why the name Presidents Day endures.

When is Presidents Day 2014? The correct answer to that question is “never.” When it comes to federal holidays, there is no such thing as Presidents Day. We’ve been saying this for years, but shockingly, the charade continues.

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Peter Grier is The Christian Science Monitor's Washington editor. In this capacity, he helps direct coverage for the paper on most news events in the nation's capital.

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The official name for the holiday celebrated Feb. 17, 2014, is Washington’s Birthday. If you don’t believe us, look at the Office of Personnel Management’s list of 2014 holidays for federal workers.

There it is, Washington’s Birthday, right between Birthday of Martin Luther King Jr. and Memorial Day. There are an asterisk and a helpful note at the bottom of the page, which says that the holiday in question is specified as Washington’s Birthday under Section 6103(a) of Title 5 of the United States Code.

“Though other institutions such as state and local governments and private businesses may use other names, it is our policy to always refer to holidays by the names designated in the law,” OPM states.

Long story short: Washington’s Birthday has been a US holiday since 1886. In the late 1960s, Congress scrambled around a bunch of federal holidays to make three-day weekends, and Washington’s Birthday got thrown into that mix. The Illinois congressional delegation thought it would be a great idea to honor Abe Lincoln by expanding the name to Presidents Day. But Virginia lawmakers blocked the move to protect the prerogatives of The Father of Our Country. That’s where things still stand today.

As we noted, we’ve written more fully about all this in the past, so we’re not going to dwell on that at this time. Instead, we’ll float theories as to why the myth of Presidents Day continues.

States’ rights. As OPM notes, states can do what they wish, and some do call it Presidents Day. (Many also follow the federal lead and don’t.) Perhaps they want to stretch the day to get a little recognition for their own native sons. New York’s Martin Van Buren, come on down!

Corporate conspiracy. Maybe advertisers believe that consumers are more likely to get out and spend on a holiday called Presidents Day, so that’s what they call it on all their fliers. For all his virtues, George Washington seems formal and chilly: Would he approve of you buying that mattress? Even if it’s on sale?

Richard Nixon. There’s an urban legend that Richard Nixon started Presidents Day in the early 1970s. He issued a holiday proclamation turning Washington’s Birthday into a more inclusive event honoring all US chief executives, including him, according to this rumor.

That’s not true: His proclamation clearly referred to Washington’s Birthday. The debunking site Snopes.com has the full story. But what if Nixon started that rumor himself? He might have planted it knowing full well it would get repeated in the years ahead and he might get some Presidents Day recognition after all.

Yes, that’s kind of a back flip, but Nixon was a shrewd guy. And look at his own presidential library: This year it’s having a celebration of Presidents Day, not Washington’s Birthday, complete with actors playing Washington, Thomas Jefferson, Lincoln, and Teddy Roosevelt.

Not that we’re complaining. We’d go if we could: First 100 guests get a free slice of cherry pie.

Miranda Barbour

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Presidents Day

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Daytona 500

John Henson -- son of the iconic Jim Henson -- dies of heart attack at 48 - CNN

By Greg Botelho, CNN

updated 11:33 PM EST, Sat February 15, 2014

John Henson, son of Jim Henson, voiced "The Muppets" character Sweetums.

STORY HIGHLIGHTS

  • John Henson dies at home at the age of 48, the Jim Henson Company announces
  • He suffered a "sudden, massive heart attack," according to the company
  • John was a shareholder, board member with the Jim Henson Company
  • His father helped develop "The Muppets," "Fraggle Rock" and "Sesame Street"

(CNN) -- John Henson -- a son of the late, great children's entertainment visionary Jim Henson -- died after a "sudden, massive heart attack," his family's company said.

The Jim Henson Company announced the death of the 48-year-old son of its iconic founder in a Facebook post Saturday.

He died Friday while at home with one of his two daughters, the post said. John Henson is also survived by his wife, Gyongyi, and his siblings Lisa, Cheryl, Brian and Heather.

Two other members of his family had top jobs in their father's namesake company, with Brian Henson as chairman and Lisa Henson as CEO. John Henson is listed prominently as one of five members of "the Henson family" on the company's website.

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HIDE CAPTION

John Henson served as a shareholder and board member of The Jim Henson Company.

According to imdb.com, John Henson was active in the family business in the 1980s, 1990s and 2000s, perhaps most notably for his portrayal of Sweetums, a large, gruff-looking, lovable character on "The Muppets."

His father, Jim, died suddenly in 1990, after a celebrated career in which he launched shows like "The Muppets," "Fraggle Rock" and created beloved characters from "Sesame Street" such as Big Bird, Elmo, the Cookie Monster and Oscar the Grouch.

Last April, John's mother, Jane Nabel Henson -- who met Jim in a puppetry class at the University of Maryland in 1954 and married him five yeas later -- died at the age of 79 after a "long battle with cancer."

Jane Henson dies of cancer

The Jim Henson Company itself remains busy with fantasy and sci-fi productions as well as children's animated series such as "Sid the Science Kid" and "Dinosaur Train."

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John Henson -- son of the iconic Jim Henson -- dies of heart attack at 48 - CNN

By Greg Botelho, CNN

updated 11:33 PM EST, Sat February 15, 2014

John Henson, son of Jim Henson, voiced "The Muppets" character Sweetums.

STORY HIGHLIGHTS

  • John Henson dies at home at the age of 48, the Jim Henson Company announces
  • He suffered a "sudden, massive heart attack," according to the company
  • John was a shareholder, board member with the Jim Henson Company
  • His father helped develop "The Muppets," "Fraggle Rock" and "Sesame Street"

(CNN) -- John Henson -- a son of the late, great children's entertainment visionary Jim Henson -- died after a "sudden, massive heart attack," his family's company said.

The Jim Henson Company announced the death of the 48-year-old son of its iconic founder in a Facebook post Saturday.

He died Friday while at home with one of his two daughters, the post said. John Henson is also survived by his wife, Gyongyi, and his siblings Lisa, Cheryl, Brian and Heather.

Two other members of his family had top jobs in their father's namesake company, with Brian Henson as chairman and Lisa Henson as CEO. John Henson is listed prominently as one of five members of "the Henson family" on the company's website.

Photos: People we lost in 2014

Photos: People we lost in 2014

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People we lost in 2014

People we lost in 2014

People we lost in 2014

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People we lost in 2014

People we lost in 2014

People we lost in 2014

People we lost in 2014

HIDE CAPTION

John Henson served as a shareholder and board member of The Jim Henson Company.

According to imdb.com, John Henson was active in the family business in the 1980s, 1990s and 2000s, perhaps most notably for his portrayal of Sweetums, a large, gruff-looking, lovable character on "The Muppets."

His father, Jim, died suddenly in 1990, after a celebrated career in which he launched shows like "The Muppets," "Fraggle Rock" and created beloved characters from "Sesame Street" such as Big Bird, Elmo, the Cookie Monster and Oscar the Grouch.

Last April, John's mother, Jane Nabel Henson -- who met Jim in a puppetry class at the University of Maryland in 1954 and married him five yeas later -- died at the age of 79 after a "long battle with cancer."

Jane Henson dies of cancer

The Jim Henson Company itself remains busy with fantasy and sci-fi productions as well as children's animated series such as "Sid the Science Kid" and "Dinosaur Train."

People we've lost in 2014

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Why does myth of US Presidents Day persist? - Christian Science Monitor

The official name for the holiday celebrated Feb. 17, 2014, is Washington’s Birthday. Here are three theories as to why the name Presidents Day endures.

When is Presidents Day 2014? The correct answer to that question is “never.” When it comes to federal holidays, there is no such thing as Presidents Day. We’ve been saying this for years, but shockingly, the charade continues.

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Peter Grier is The Christian Science Monitor's Washington editor. In this capacity, he helps direct coverage for the paper on most news events in the nation's capital.

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The official name for the holiday celebrated Feb. 17, 2014, is Washington’s Birthday. If you don’t believe us, look at the Office of Personnel Management’s list of 2014 holidays for federal workers.

There it is, Washington’s Birthday, right between Birthday of Martin Luther King Jr. and Memorial Day. There are an asterisk and a helpful note at the bottom of the page, which says that the holiday in question is specified as Washington’s Birthday under Section 6103(a) of Title 5 of the United States Code.

“Though other institutions such as state and local governments and private businesses may use other names, it is our policy to always refer to holidays by the names designated in the law,” OPM states.

Long story short: Washington’s Birthday has been a US holiday since 1886. In the late 1960s, Congress scrambled around a bunch of federal holidays to make three-day weekends, and Washington’s Birthday got thrown into that mix. The Illinois congressional delegation thought it would be a great idea to honor Abe Lincoln by expanding the name to Presidents Day. But Virginia lawmakers blocked the move to protect the prerogatives of The Father of Our Country. That’s where things still stand today.

As we noted, we’ve written more fully about all this in the past, so we’re not going to dwell on that at this time. Instead, we’ll float theories as to why the myth of Presidents Day continues.

States’ rights. As OPM notes, states can do what they wish, and some do call it Presidents Day. (Many also follow the federal lead and don’t.) Perhaps they want to stretch the day to get a little recognition for their own native sons. New York’s Martin Van Buren, come on down!

Corporate conspiracy. Maybe advertisers believe that consumers are more likely to get out and spend on a holiday called Presidents Day, so that’s what they call it on all their fliers. For all his virtues, George Washington seems formal and chilly: Would he approve of you buying that mattress? Even if it’s on sale?

Richard Nixon. There’s an urban legend that Richard Nixon started Presidents Day in the early 1970s. He issued a holiday proclamation turning Washington’s Birthday into a more inclusive event honoring all US chief executives, including him, according to this rumor.

That’s not true: His proclamation clearly referred to Washington’s Birthday. The debunking site Snopes.com has the full story. But what if Nixon started that rumor himself? He might have planted it knowing full well it would get repeated in the years ahead and he might get some Presidents Day recognition after all.

Yes, that’s kind of a back flip, but Nixon was a shrewd guy. And look at his own presidential library: This year it’s having a celebration of Presidents Day, not Washington’s Birthday, complete with actors playing Washington, Thomas Jefferson, Lincoln, and Teddy Roosevelt.

Not that we’re complaining. We’d go if we could: First 100 guests get a free slice of cherry pie.

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NBC Pushes Too Far in Bringing Bode Miller to Tears - New York Times


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NBC Pushes Too Far in Bringing Bode Miller to Tears
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NBC Pushes Too Far in Bringing Bode Miller to Tears - New York Times


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Pharrell kicks off 2014 NBA All-Star Game with killer medley - SB Nation

The NBA can't get enough concerts. Good thing, but the intro performance led by Pharrell was excellent.

Pharrell Williams brought in the NBA All-Stars on Sunday night and brought down the house. Playing a medley from his incredible catalog, he had help from rappers Nelly, Snoop Lion, Diddy and Busta Rhymes. And yes, Busta Rhymes and Diddy participated in a choreographed dance to "Happy."

Busta_medium

Pharrell also wore his infamous hat for a bit.

Phat1_medium

And Snoop apparently borrowed Kobe's unused West All-Stars warm-up. (Of course he wore the West version.)

Snoop1_medium

Pharrell also reunited with Chad Hugo, the other half of N.E.R.D., the pair's now-defunct band and production team. While Pharrell has become one of the biggest stars in music, Hugo has basically disappeared. Having him on stage was a pretty nice touch for N.E.R.D. fans.

After a rather long set by Pharrell and Friends -- which included the rather tame intro of the All-Stars, most of whom did not dance -- Canadian singer Serena Ryder performed a powerful rendition of "O Canada," followed by bluesman Gary Clark Jr.'s Hendrixian guitar performance of "The Star-Spangled Banner." The actual All-Star Game tipped off about an hour into the broadcast on TNT, though few have reason to complain after a terrific show.

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Sunday 16 February 2014

Cheesecake Factory Keeps Drinking Ruby Tuesday and Red Lobster's Milkshake - DailyFinance

American Idols Celebrate National Cheesecake Day at The Cheesecake FactoryGetty Images Casual dining isn't toast.

Cheesecake Factory (CAKE) bucked the trend of emptier tables that plagued rivals Ruby Tuesday (RT) and Darden Restaurants' (DRI) Red Lobster this past quarter, posting reasonable growth in Wednesday's quarterly report.

Revenue climbed a modest 2.2 percent to $475.1 million, shy of Wall Street's expectations, but at least the chain's moving in the right direction. Expansion factored into the growth, but so did a 0.9 percent increase in comparable restaurant sales. Comps actually would have risen 1.6 percent if it wasn't for the negative weather impact during the quarter. But storm clouds and snowstorms still weren't enough to keep patrons away the way they did at rival operators.

Cheesecake Factory is rocking, and the 181-unit chain bragged during its earnings conference call that it just completed its fourth consecutive year of delivering positive quarterly comparable sales at full margins without discounting.

Growth without promotional markdowns? Four years of growth during a tricky economic recovery? Cheesecake Factory investors better not take that for granted, because its performance is certainly not typical.

Peers Under Pressure

Cheesecake Factory isn't growing as quickly as it used to, but at leas t it's growing.

Red Lobster saw same-restaurant sales decline by 5.2 percent and 4.5 percent in its two most recent quarters. Things have been even worse at Ruby Tuesday where comps have plunged 7.8 percent and 11.4 percent in its two most recent quarters.

The two chains aren't going down without a fight. They realize that they're out of favor, and they're making changes. Red Lobster added more entrees for landlubbers in late 2012.

Ruby Tuesday tried to drum up a value message this past summer by adding flatbreads and gourmet burgers at single-digit price points.

The tweaks obviously haven't worked.

Cheesecake Factory hasn't had to get desperate. The chain already has one of the largest menus in casual dining, so it's not as if it needs to beef up its offerings to give regulars something new to try. At a time when its peers are struggling in the reinvention process, Cheesecake Factory is sticking to what it does well.

Let Them Eat Cheesecake

Many of the casual dining operators that have been stumbling have tried to pin the blame on external factors. They can blame mall shoppers migrating online, but most of Cheesecake Factory's locations are inside retail developments. It also disclosed on Wednesday night that it's not seeing a discernible performance difference between its mall and non-mall units.

They can blame health trends showing that patrons are shying aw ay from their decadent offerings for their shortcomings, but it's hard to top Cheesecake Factory's dessert menu with its dozens of choices.

You can be sure that chains will point to crummy weather that has kept traffic light in many parts of the country. There's also the timing of the Easter holiday, which this year will push that historical spike in business from March last year to April this time around. Cheesecake Factory acknowledges the challenges, but its guidance still calls for comps to clock in between flat to slightly positive for the current quarter.

In the end, actions speak louder than words. Cheesecake Factory is growing at a time some of its competitors are throwing in the towel. Darden is looking to sell Red Lobster. Ruby Tuesday is in the process of closing 30 of its 779 eateries.

But Cheesecake isn't shying away from the retreats elsewhere. If anything, it stands to benefit as rivals close their restaurants in prime locations. Cheesecake F actory expects to open as many as a dozen new locations this year after opening nine units in 2013.

Cheesecake Factory gets it. Ruby Tuesday and Red Lobster don't.

Motley Fool contributor Rick Munarriz owns shares of The Cheesecake Factory. The Motley Fool has no position in any of the stocks mentioned.


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'LEGO Movie', 'About Last Night' Rule Box Office Over Presidents Day Weekend - Forbes

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John Henson, son of Muppets creator Jim Henson, dies at age 48 - New York Daily News

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Puppeteer John Henson, son of the Muppets creator Jim Henson, has died of a heart attack. He was 48 years old.

SAUGERTIES, N.Y. — John Henson, the son of the late Muppets creator Jim Henson, has died in New York. He was 48.

Cheryl Henson says her brother died of a "massive heart attack" at his home in Saugerties on Friday.

PHOTOS: STARS GONE TOO SOON

She says it happened after he had been building an igloo in the snow with his daughter.

Henson followed in his famous father's footsteps as a puppeteer, performing as Sweetums the ogre in several films, including "Muppet Treasure Island" and "It's a Very Merry Muppet Christmas Movie."

PHOTOS: REMEMBERING JIM HENSON THROUGH THE YEARS

He was also a shareholder and board member of the Jim Henson Company.

Henson's visionary father was similarly taken too soon, dying suddenly of organ failure in 1990 at age 53.  

RELATED: JIMMY FALLON SIGNS OFF FROM ‘LATE NIGHT’

During his celebrated career, the elder Henson created scores of lovable characters that entertained generations of children on shows such as "The Muppets," "Sesame Street" and "Fraggle Rock."

John's mother, Jane Henson, died of cancer in April 2013 at the age of 79. 

RELATED: JIM HENSON FAMILY DONATES PUPPETS TO SMITHSONIAN INSTITUTION

She and Jim Henson met in a University of Maryland puppetry class in the mid-1950s, and were the creative and business tandem behind the development of the Muppets. 

John Henson leaves behind his wife, Gyongyi, and their two daughters, Katrina, 15, and Sydney, 10.  

RELATED: TOYOTA TEAMS WITH THE MUPPETS AND TERRY CREWS IN THIS WARM AND FUZZY SUPER BOWL AD

A private funeral service is planned, the family said. 

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Format fails 2014 NBA Slam Dunk Contest after star-studded field goes to waste - SI.com

Posted February 16, 2014

East Dunk Contest team

The East won the Dunk Contest in a blowout, ending the event abruptly. (Jesse D. Garrabrant/NBAE/Getty Images)

NEW ORLEANS — Worst. Fears. Confirmed.

As soon as the Slam Dunk Contest’s new format and rules were announced two weeks ago, it was immediately clear that there was a decent chance the event could end in disaster. A bad fate wasn’t guaranteed but, as The Point Forward noted at the time, it was a strong possibility.

Unfortunately, that’s exactly what happened at the Smoothie King Center on Saturday night. The 2014 Dunk Contest will go down as confusing, boring, underwhelming, frustrating and — worst of all — a logistical mess that undercut a very strong group of dunkers. So often over the years, weak fields have failed to live up to the excitement and hype of the Dunk Contest ideal; here, the Dunk Contest’s format totally failed its participants by lessening the impact of their achievements and bringing an abrupt end to the action just as things were getting interesting.

The new rules — which included a two-round format that began with a “freestyle” team-based opening round and a head-to-head, East vs. West closing “battle” round — seemed to be making a series of calculated trade-offs.

RELATED: 2014 NBA Slam Dunk Contest grades

Instead of trusting the dunkers to shine, the contest’s structure worked to minimize the impact made by a series of missed dunks. If you repeatedly missed in the “freestyle” round, your teammates would simply follow up a few seconds later with tries of their own. If you repeatedly missed in the “battle” round, you would almost certainly be quickly eliminated by your head-to-head competitor. Here, the new rules attempted to trade tradition for improved flow.

The contest also insisted on fully incorporating the conference vs. conference format used in other All-Star Saturday events, rather than keeping the focus on the individual. This included crowning all three members of the winning conference as “champions” and ending the contest when the winning conference won three “battles,” as opposed to a final showdown round featuring the best dunkers, regardless of conference. That process was then supplemented with a “Dunker of the Night” award to be determined by a fan vote. Here, the new rules traded tradition and the Dunk Contest’s well-established mano-a-mano vibe for a conference face-off format with no obvious benefits and a recognition for the best dunker that felt tacked on as opposed to the main attraction.

The new scoring format also deemphasized the role of the judges considerably. Rather than scoring dunks on a 1-to-10 scale and adding them up, a process that has the potential to be inconsistent and controversial, the judges faced a simpler decision this year, needing only to vote for the East or the West. Here, the trade-off was the tradition and excitement of the old scoring rules and system, and the mystique of the coveted “50″ dunk, for a streamlined process that should reward the most deserving competitors.

SI.com’s 2014 All-Star Hub: Analysis, results and more

And finally, the format ensured that no individual dunker would be required to do more than, say, six or seven dunks at the absolute most: roughly three or four dunks in the “freestyle” round and then an absolute maximum of three dunks in the “battle” round. Realistically , most of the dunkers could be expected to do two dunks in the “battle” round at most; as it turned out, no dunker did more than one “battle” dunk on Saturday. Back in the 1980s, by comparison, dunkers that made the final round would perform eight dunks along the way. Here, the intended trade-off was quality over quantity, with the hope that less would be more because all the participants would bring their best material out in the “battle” round, knowing they would be eliminated if they didn’t.

Most of these trade-offs, with the exception of the ill-advised conference vs. conference idea, were well-intentioned, at least when considered individually. When combined, though, some serious questions were apparent immediately. What happens if one conference is way stronger than the other? Will the contest’s shortened length prove to be satisfying? What happens if the two best dunkers are from the same conference? Why even hold a Dunk Contest if there’s not a single, undisputed, overall champion? And why devalue the “champion” tag by giving it to three people and handing the winner a clunky “Dunker of the Night” title?

THOMSEN: Five storylines to watch in Sunday’s All-Star Game

Again, these questions weren’t guaranteed to become major problems, but they were glaring enough issues that the contest’s rules never should have seen the light of day as is. As it turns out, all of those questions turned into huge problems on Saturday, and the result was a mostly lifeless crowd that seemed dumbfounded when it found out that the contest — just as it was finally gaining some momentum — was now over.

Wizards guard John Wall wound up taking home “Dunker of the Night” honors as he led the East to a 3-0 rout of the West. His final dunk involved jumping over a mascot, double-clutching and throwing down a two-handed reverse dunk, a sequence that earned a “50″ from The Point Forward. But that slam, the night’s best, was not followed by a face-off with Raptors guard Terrence Ross, the defending champion, or Pacers forward Paul George, both of whom impressed with through-the-legs dunks in the “battle” round. That slam also wasn’t followed by any additional dunks from Wall, who had been electric during the “freestyle” round too.

No, Wall’s only “battle” round dunk was followed immediately by the trophy presentation because the West’s squad got blown out by the East because it wasn’t up to snuff, and the format designers hadn’t properly gauged the chances that this would happen.

RELATED: Non-Champions: Greatest Dunk Contest participants who never won

You can’t blame Julius Erving, Magic Johnson and Dominique Wilkins, who served as judges: Ross, George and Wall were worthy head-to-head winners, although Ross was pushed hard by Blazers guard Damian Lillard and Wall handled a stiff challenge from Kings guard Ben McLemore.

You can’t blame the fans: they made the right choice by voting Wall as the night’s top performer.

You can’t blame the dunkers: five of the six competitors (everyone except Warriors forward Harrison Barnes) put on a great show. When Lillard was eliminated, after a pretty spinning lefty dunk, it was a shame that his night, which had been a pleasant surprise, was over early. When McLemore was eliminated immediately after taking flight over Shaquille O’Neal, who was sitting on a throne, it was a shame because you knew he had more in store. When it became clear that Wall’s dunk would end his night, and George’s night, and Ross’s night, it was an outrageous shame. Ross didn’t have a true opportunity to defend his title. George never got a chance to go deeper into his bag of tricks to avenge his 2012 Slam Dunk Contest loss. And after such an original and breathtaking slam, Wall was denied the opportunity of bringing down the house at the very moment he had finally excited the crowd. Just a shame.

How is it possible that a Dunk Contest’s format could leave fans feeling like they didn’t get to see enough from Wall, and George and Ross and Lillard and McLemore? This wasn’t trimming the fat so much as throwing the entire piece of meat into the garbage can halfway through the appetizers course.

It bothers me that Vanilla Ice was brought in to play a set — or whatever you want to call it — in the middle of all of this. It bothers me that a way-too-gigantic Sprite logo hung over the backdrop to remind us just how over-commercialized the event has become. It bothers me that an NBA legend like Dr. J had to hold up a tablet to cast his vote rather than a simple “10″ on a piece of paper. But what really, really bothers me is that the contest’s priorities were so out of whack.

Cutting down on wasted time from missed dunks is a good thing, and the “freestyle” round did serve as a nice warm-up. Cutting down on judge subjectivity and inconsistency is a good thing, and there wasn’t a single truly disputable call all night. Cutting down on the total number of dunks to find an efficient path through the contest is a good thing, and the contest certainly wasn’t too long (duh).

GIVE AND GO: What would All-Star Game look like with captains?

This year’s contest might have accomplished those goals, but it failed to get the most out of a very talented group of athletes, it failed to put those athletes in a position where their efforts would have the potential to be enduring, it failed to generate real tension because of the conference format, and it failed to set up what could have been an historic final showdown between two All-Stars in Wall and George, and Ross, the reigning champ.

Instead of a heavyweight boxing match for a championship belt, we witnessed an all-comers track meet where half of the competitors went home with blue participation ribbons and the crowd left the building wanting more. For the 200th time — and at the risk of being really redundant — this was a totally foreseeable possibility.

Overall, this year’s Slam Dunk Contest format did the little things OK but totally whiffed on the big picture. That the whiff was so predictable made it that much more maddening. That the conference vs. conference format helped cause the whiff because of the disparity in talent between the teams was further proof that “East vs. West” shouldn’t play such a prominent role in future contests.

When the event organizers go back to the drawing board for 2015, they must realize that the current format has the potential to ruin any field. It ruined this year’s group — which included three All-Stars for the first time since 1988 — and it’s so bad that it has the potential to ruin a dream field composed of guys like Blake Griffin and LeBron James, as long as the “battle” match-ups don’t pan out evenly. Much like actors, Slam Dunk participants are at the mercy of their stages and scripts, and both need serious fixing in time for next year’s contest in New York City.

The Slam Dunk Contest organizers must realize that the heart and soul of this contest is a direct competition between the very best dunkers: Dominique Wilkins vs. Michael Jordan, Spud Webb vs. Dominique Wilkins, Dee Brown vs. Shawn Kemp, Vince Carter vs. Steve Francis vs. Tracy McGrady, Dwight Howard vs. Gerald Green, and the list goes on. Any format that doesn’t lead directly to that path runs the risk of repeating this type of disaster.

Please, NBA, do not let this happen again. Bury this year’s format in the graveyard next to “The Wheel” as soon as possible.

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Former Saints star Darren Sharper charged with drugging, raping two women in ... - The Times-Picayune

Former Saints star safety Darren Sharper was charged Friday with drugging and raping two women in Los Angeles, one in October and one in January, according to a complaint filed by the L.A. district attorney's office. 

In both incidents Sharper is accused of following a similar pattern of raping women whom he had invited to his hotel room and given them liquid shots possibly containing Ambien and morphine, causing them to pass out, prosecutors said. 

Sharper, 38, is currently being investigated in a rape case in New Orleans, and L.A. prosecutors revealed Friday that he is also being investigated for rapes in Arizona and Nevada. His attorney in New Orleans has maintained his innocence. 

L.A. prosecutors allege Sharper met two women at a West Hollywood nightclub on Oct. 30, 2013 and invited them to another party. On the way, Sharper told the women he had to stop by his hotel room to pick up something and invited both women up to his room, according to the allegations.

There, he gave each woman a shot, and both women subsequently passed out, prosecutors say. One woman told investigators she woke up naked hours later with Sharper sexually assaulting her. The second woman then woke up and "interrupted his actions," according to prosecutors.

On Jan. 14, Sharper met two separate woman at the same West Hollywood nightclub and invited them to a party. Stopping at his hotel, he invited both up to his room, offered them a shot and each passed out, prosecutors allege.

When they woke up hours later the next day, one of the women told authorities she believed she had been sexually assaulted. Both women left the hotel and sought medical treatment, authorities said.

Sharper is accused of possessing morphine and zolpidem, commonly known as Ambien. Prosecutors charged Sharper with two counts of rape by use of drugs, four counts of furnishing a controlled substance and one count of possession of a controlled substance, all felonies. 

Since his Jan. 17 arrest in Los Angeles, Sharper has remained free on $200,000 bond. At a hearing Friday, prosecutors asked the judge to increase Sharper's bond to $10 million in part because of the fact that Sharper lives in Miami and has pending rape investigations in three other states. The judge delayed ruling on the prosecutors' request until Sharper's arraignment scheduled for Feb. 20. 

Ambien, a sleep-promoter and muscle-relaxer, is commonly used as a "knock-out drug" among criminals because of its rapid onset within 10 to 30 minutes. The drug causes memory loss and it can only be detected for a short time after it is ingested, according to a May 2009 peer-reviewed medical journal article. 

In the New Orleans case, Sharper, who until his L.A. arrest was working as an NFL Network commentator, met a woman in the Central Business District during a night of drinking on Sept. 22 following the Saints' home victory over the Arizona Cardinals.

According to a New Orleans police report, the woman, whose age was not given, told police she drank a "large amount of alcohol" during the night of bar-hopping that continued into the early morning of Sept. 23. She said she met Sharper at one of the bars and he took her back to his apartment at 701 Tchoupitoulas St. There, he had sex with her without her consent, according to the report.

Sharper has not been arrested or charged in the New Orleans case, but a spokesman for Orleans Parish District Attorney Leon Cannizzaro confirmed Friday it remains an ongoing investigation.

Sharper remains suspended without pay indefinitely, an NFL Network spokesperson said Friday.

Sharper, who played for the Green Bay Packers, Minnesota Vikings and Saints from 1997-2010, was a six-time All-Pro and a member of the NFL 2000's All-Decade Team.

He was a major player in bringing the Saints their first world championship, when they defeated the Indianapolis Colts, 31-17, in Super Bowl XLIV during the 2009 season. He started 14 games in the regular season that year and led the NFL in interceptions (9) and interceptions returned for touchdowns (3).

Staff writer Katherine Terrell contributed to this report.

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Former Saints star Darren Sharper charged with drugging, raping two women in ... - The Times-Picayune

Former Saints star safety Darren Sharper was charged Friday with drugging and raping two women in Los Angeles, one in October and one in January, according to a complaint filed by the L.A. district attorney's office. 

In both incidents Sharper is accused of following a similar pattern of raping women whom he had invited to his hotel room and given them liquid shots possibly containing Ambien and morphine, causing them to pass out, prosecutors said. 

Sharper, 38, is currently being investigated in a rape case in New Orleans, and L.A. prosecutors revealed Friday that he is also being investigated for rapes in Arizona and Nevada. His attorney in New Orleans has maintained his innocence. 

L.A. prosecutors allege Sharper met two women at a West Hollywood nightclub on Oct. 30, 2013 and invited them to another party. On the way, Sharper told the women he had to stop by his hotel room to pick up something and invited both women up to his room, according to the allegations.

There, he gave each woman a shot, and both women subsequently passed out, prosecutors say. One woman told investigators she woke up naked hours later with Sharper sexually assaulting her. The second woman then woke up and "interrupted his actions," according to prosecutors.

On Jan. 14, Sharper met two separate woman at the same West Hollywood nightclub and invited them to a party. Stopping at his hotel, he invited both up to his room, offered them a shot and each passed out, prosecutors allege.

When they woke up hours later the next day, one of the women told authorities she believed she had been sexually assaulted. Both women left the hotel and sought medical treatment, authorities said.

Sharper is accused of possessing morphine and zolpidem, commonly known as Ambien. Prosecutors charged Sharper with two counts of rape by use of drugs, four counts of furnishing a controlled substance and one count of possession of a controlled substance, all felonies. 

Since his Jan. 17 arrest in Los Angeles, Sharper has remained free on $200,000 bond. At a hearing Friday, prosecutors asked the judge to increase Sharper's bond to $10 million in part because of the fact that Sharper lives in Miami and has pending rape investigations in three other states. The judge delayed ruling on the prosecutors' request until Sharper's arraignment scheduled for Feb. 20. 

Ambien, a sleep-promoter and muscle-relaxer, is commonly used as a "knock-out drug" among criminals because of its rapid onset within 10 to 30 minutes. The drug causes memory loss and it can only be detected for a short time after it is ingested, according to a May 2009 peer-reviewed medical journal article. 

In the New Orleans case, Sharper, who until his L.A. arrest was working as an NFL Network commentator, met a woman in the Central Business District during a night of drinking on Sept. 22 following the Saints' home victory over the Arizona Cardinals.

According to a New Orleans police report, the woman, whose age was not given, told police she drank a "large amount of alcohol" during the night of bar-hopping that continued into the early morning of Sept. 23. She said she met Sharper at one of the bars and he took her back to his apartment at 701 Tchoupitoulas St. There, he had sex with her without her consent, according to the report.

Sharper has not been arrested or charged in the New Orleans case, but a spokesman for Orleans Parish District Attorney Leon Cannizzaro confirmed Friday it remains an ongoing investigation.

Sharper remains suspended without pay indefinitely, an NFL Network spokesperson said Friday.

Sharper, who played for the Green Bay Packers, Minnesota Vikings and Saints from 1997-2010, was a six-time All-Pro and a member of the NFL 2000's All-Decade Team.

He was a major player in bringing the Saints their first world championship, when they defeated the Indianapolis Colts, 31-17, in Super Bowl XLIV during the 2009 season. He started 14 games in the regular season that year and led the NFL in interceptions (9) and interceptions returned for touchdowns (3).

Staff writer Katherine Terrell contributed to this report.

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NASCAR's Tony Stewart steers way back from broken leg - Los Angeles Times

One moment NASCAR's Tony Stewart was doing what he loves, racing a high-powered sprint car at a small dirt track on a summer night, and the next moment his right leg was shattered.

Stewart crashed at full speed into a stalled car in Oskaloosa, Iowa, on Aug. 5. The injury was so gruesome that Stewart later said he "damned near passed out at every doctor visit" when the leg was examined.

Despite being one of NASCAR's biggest stars, and a co-owner of a team, Stewart also raced the smaller sprint cars at short tracks nationwide for the sheer joy of it.

But the Iowa crash abruptly ended his season and required Stewart to undergo three surgeries and months of physical therapy.

Now Stewart is ready to return when the NASCAR Sprint Cup Series season opens Feb. 23 with the Daytona 500.

"I don't know how we could be more prepared," Stewart, a three-time Cup champion, told reporters at media day Thursday at Daytona International Speedway. "I'm excited about it."

First, though, Stewart drove Saturday night in NASCAR's Sprint Unlimited event, an exhibition race at Daytona, and was collected in a multi-car wreck that badly damaged his No. 14 Chevrolet. But Stewart climbed from the car unhurt and said his leg felt fine.

And on Sunday, Stewart and the other Cup drivers will qualify for the front two spots of the 43-car Daytona 500 field. The remaining starting spots will be determined in two qualifying races Thursday.

Fans are waiting to see how the thinner Stewart, who weighs 182 pounds, will hold up once he races again. At 42, he's also among the oldest of NASCAR's marquee drivers. Others include Greg Biffle (44) and Matt Kenseth (41).

But some Cup drivers predicted Stewart would quickly return to his old form.

"He's going to be the same old Tony, like we never missed him," Kurt Busch, who this year joined Stewart's team, Stewart-Haas Racing, told reporters at media day.

At the same gathering, driver Clint Bowyer, when asked whether Stewart would be as good as before, quipped "I hope not. I hope it slowed him down, just a couple tenths [of a second]."

And the gambling site BetUS last week pegged Stewart a 12-1 choice to win his fourth Cup title this year, behind only six other drivers, including reigning champion Jimmie Johnson.

While debilitating injuries are more common in other sports, there isn't much precedent in NASCAR for Stewart's six-month layoff. His penchant for racing sprint cars in addition to driving in the Cup series is an anomaly among NASCAR drivers, and NASCAR safety advances have helped protect its drivers in many big crashes.

In the IndyCar racing series, driver Will Power of Team Penske sat out much of the 2009 season after suffering a broken back in a practice crash. But he won the first two races of the next season.

"It surprised me how easy it came back together," Power said last week during a test session at Fontana, adding that with Stewart, "I think he'll be fine."

This is Stewart's 16th season in the Cup series. He has 48 Cup victories and earned titles in 2002, 2005 and 2011.

But he has never won the Daytona 500, NASCAR's crown-jewel race.

Nicknamed "Smoke," Stewart also is among NASCAR's most popular drivers, partly because he's an exception to the notion that too many NASCAR drivers, conscious of protecting their valuable sponsorships, are publicly bland.

Stewart is outspoken, brash and temperamental, and his fans love it. He has clashed with other drivers, the media, even NASCAR.

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